ericb4prez
New member
so this nigga made a comedic love story set in slavery times smh
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ericb4prez;5327414 said:so this nigga made a comedic love story set in slavery times smh
thefabmd2dc;5327273 said:thefabmd2dc;5327273 said:Well the KKK scene with the comedy was kinda pushing it for me. Those are racists who wanted to castrate a slave I don't need to see them being portrayed as funny.
Its no where near as bad as some people are making it out to be its a very good movie in fact but Spike lee has every reason to not like the movie since QT hits all the same beats with his movies and this picture just happened to deal with a period that is very ugly and often ignored or downplayed for that very reason.
Karl.;5327416 said:In summary... Blacks lose for hating on a film where blacks win.
s2jepeka;5319071 said:blackrain;5319028 said:obnoxiouslyfresh;5316988 said:almighty breeze;5311879 said:Django was incredibly offensive, insensitive and outrageous......and I loved every minute. Loved the near totality of the slave experience captured. Brough up more aspects than "whipping" & "runaways." You could dig up an Aubrey Skinned House slave and he wouldnt be as much a coon as Samuel Jackson was.
"Nigger" wasnt used ENOUGH. More slaves should have been whipped. More families destroyed. More mental destruction and taught mistrust. Show everything or not at all. You're Tarantino if anyones going overboard & getting a pass for it it's you. Dont get mushy on me Quentin.
These kind of comments are always so striking to me. Why does he get a pass? Like seriously, in his coke-hazed way, I'm certain he's laughing all the way to the bank. Tarantino makes decent films but he is a cultural tourist of the worse kind and I wouldn't spend a single red penny on a self indulgent movie like Django. He is a one trick pony who thinks stomach churning violence likens him to Billy Wilder and Alfred Hitchcock which he has actually fixed his lips to say, and sweetheart you are certainly no Alfred Hitchcock. He's not even (hardly) Steven Spielberg. I just cannot begin to fathom how many black people can sit and enjoy a movie about slavery that has garnered virtually universal acclaim from white folks. That should be unsettling to people on its face. He knows very well which audiences he can offend and who is the least likely to even realize they're being insulted.
That's happened before though. Roots got universal acclaim and still does...Denzel's performance in Glory won him an Oscar and the scene where he gets whooped for leaving the camp is still said to be one of his best scenes in his career and to some one of the best in film history. The Color Purple as well...films with slavery/slaves as the topic or part of the story can garner universal acclaim simply based on the performance of the actors.
And your explanantion is exactly the problem
You comparing Roots, Color Purple, and Glory: Dramas, films that delved into historical ugly truths...to this movie, which basically piggybacks off slavery to enhance Tarantino's 'vengeance gore' schtick...AND its a quasi-comedy
blackrain;5320279 said:s2jepeka;5319071 said:blackrain;5319028 said:obnoxiouslyfresh;5316988 said:almighty breeze;5311879 said:Django was incredibly offensive, insensitive and outrageous......and I loved every minute. Loved the near totality of the slave experience captured. Brough up more aspects than "whipping" & "runaways." You could dig up an Aubrey Skinned House slave and he wouldnt be as much a coon as Samuel Jackson was.
"Nigger" wasnt used ENOUGH. More slaves should have been whipped. More families destroyed. More mental destruction and taught mistrust. Show everything or not at all. You're Tarantino if anyones going overboard & getting a pass for it it's you. Dont get mushy on me Quentin.
These kind of comments are always so striking to me. Why does he get a pass? Like seriously, in his coke-hazed way, I'm certain he's laughing all the way to the bank. Tarantino makes decent films but he is a cultural tourist of the worse kind and I wouldn't spend a single red penny on a self indulgent movie like Django. He is a one trick pony who thinks stomach churning violence likens him to Billy Wilder and Alfred Hitchcock which he has actually fixed his lips to say, and sweetheart you are certainly no Alfred Hitchcock. He's not even (hardly) Steven Spielberg. I just cannot begin to fathom how many black people can sit and enjoy a movie about slavery that has garnered virtually universal acclaim from white folks. That should be unsettling to people on its face. He knows very well which audiences he can offend and who is the least likely to even realize they're being insulted.
That's happened before though. Roots got universal acclaim and still does...Denzel's performance in Glory won him an Oscar and the scene where he gets whooped for leaving the camp is still said to be one of his best scenes in his career and to some one of the best in film history. The Color Purple as well...films with slavery/slaves as the topic or part of the story can garner universal acclaim simply based on the performance of the actors.
And your explanantion is exactly the problem
You comparing Roots, Color Purple, and Glory: Dramas, films that delved into historical ugly truths...to this movie, which basically piggybacks off slavery to enhance Tarantino's 'vengeance gore' schtick...AND its a quasi-comedy
@s2jepeka I was comparing them in the context of that one statement I bolded. To simply say a movie about slavery that garners critical acclaim from whites shouldn't be enjoyed by blacks as well is a very broad statement to make.
Karl.;5327416 said:In summary... Blacks lose for hating on a film where blacks win.
Rondre Sleaze Twin;5330983 said:ok here is all the other screeners out in the last 2 weeks.
Perks of being a wallflower
Lincoln
Flight
Skyfall
This is 40
Django Unchained
Impossile
Killing Them Softly
The Hobbit
West of Memphis
Hitchcock
Zero Dark Thirty
7 psychopaths
The sessions
Rust and Bone
Not fade away
Cloud Atlas
Arbitrage
Beast of the southern Wild
are all out chexk em out
only waiting for
Les Miserables
Silver Linings Playbook
The Master