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almighty breeze;5311879 said:Django was incredibly offensive, insensitive and outrageous......and I loved every minute. Loved the near totality of the slave experience captured. Brough up more aspects than "whipping" & "runaways." You could dig up an Aubrey Skinned House slave and he wouldnt be as much a coon as Samuel Jackson was.
"Nigger" wasnt used ENOUGH. More slaves should have been whipped. More families destroyed. More mental destruction and taught mistrust. Show everything or not at all. You're Tarantino if anyones going overboard & getting a pass for it it's you. Dont get mushy on me Quentin.
obnoxiouslyfresh;5316988 said:almighty breeze;5311879 said:Django was incredibly offensive, insensitive and outrageous......and I loved every minute. Loved the near totality of the slave experience captured. Brough up more aspects than "whipping" & "runaways." You could dig up an Aubrey Skinned House slave and he wouldnt be as much a coon as Samuel Jackson was.
"Nigger" wasnt used ENOUGH. More slaves should have been whipped. More families destroyed. More mental destruction and taught mistrust. Show everything or not at all. You're Tarantino if anyones going overboard & getting a pass for it it's you. Dont get mushy on me Quentin.
I just cannot begin to fathom how many black people can sit and enjoy a movie about slavery that has garnered virtually universal acclaim from white folks. That should be unsettling to people on its face.
KingJamal;5316762 said:Yall still talkin bout this
[Trillmatic];5310849 said:Why is everyone's ass so hurt by this movie?
The setting is pre-civil war.Blackblack americans aka regular black were property back then.
This movie reflects that.
Twelve Years a Slave is a memoir of a black man who was born free in New York state but kidnapped, sold into slavery and kept in bondage for 12 years in Louisiana before the American Civil War. He provided details of slave markets in Washington, DC, as well as describing at length cotton cultivation on major plantations in Louisiana.
Published soon after Harriet Beecher Stowe's novel, Uncle Tom's Cabin, Northup's book sold 30,000 copies and was considered a bestseller.[1] It went through several editions in the nineteenth century.
DROSODAMFUNNY;5318665 said:AYE..
BACK IN SLAVERY DAYS.. DID THEY REALLY HAVE NIGGAZ FIGHTING EACH OTHER LIKE THAT?
IVE NEVER HEARD OF THIS UNTIL I SAW THE MOVIE
8aw$3Man3;5318876 said:DROSODAMFUNNY;5318665 said:AYE..
BACK IN SLAVERY DAYS.. DID THEY REALLY HAVE NIGGAZ FIGHTING EACH OTHER LIKE THAT?
IVE NEVER HEARD OF THIS UNTIL I SAW THE MOVIE
yes , even after slavery. they'd have these underground bare boxing matches, where niggaz would fight till death or near death. and they'd gamble on em.
this was big in metropolitan areas .
and it's also symbolic to how whites enjoy and love putting niggaz against one another.
Ms Southern;5318962 said:Saw it this week ....liked the movie
obnoxiouslyfresh;5316988 said:almighty breeze;5311879 said:Django was incredibly offensive, insensitive and outrageous......and I loved every minute. Loved the near totality of the slave experience captured. Brough up more aspects than "whipping" & "runaways." You could dig up an Aubrey Skinned House slave and he wouldnt be as much a coon as Samuel Jackson was.
"Nigger" wasnt used ENOUGH. More slaves should have been whipped. More families destroyed. More mental destruction and taught mistrust. Show everything or not at all. You're Tarantino if anyones going overboard & getting a pass for it it's you. Dont get mushy on me Quentin.
These kind of comments are always so striking to me. Why does he get a pass? Like seriously, in his coke-hazed way, I'm certain he's laughing all the way to the bank. Tarantino makes decent films but he is a cultural tourist of the worse kind and I wouldn't spend a single red penny on a self indulgent movie like Django. He is a one trick pony who thinks stomach churning violence likens him to Billy Wilder and Alfred Hitchcock which he has actually fixed his lips to say, and sweetheart you are certainly no Alfred Hitchcock. He's not even (hardly) Steven Spielberg. I just cannot begin to fathom how many black people can sit and enjoy a movie about slavery that has garnered virtually universal acclaim from white folks. That should be unsettling to people on its face. He knows very well which audiences he can offend and who is the least likely to even realize they're being insulted.