20 Greatest Hip Hop Albums of All Time (15-11)

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14. Supreme Clientele is the second studio album by American rapper and Wu-Tang Clan member Ghostface Killah, released on February 8, 2000 by Epic Records. The album showcases Ghostface's signature up-tempo, stream-of-consciousness rhyme style, and features guest appearances from Cappadonna, GZA, Masta Killa, Method Man, Raekwon, Redman, RZA, U-God, and others. It features affiliates of what would become members of Theodore Unit and T.M.F. Supreme Clientele contains a large amount of production from group member RZA, who also re-worked and remixed beats from other producers involved, as a means to create a unified and cohesive sound for the album.

 
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13. 2001 (sometimes referred to as The Chronic 2001, Chronic 2001 or The Chronic 2) is the second studio album by American rapper and producer Dr. Dre. It was released on November 16, 1999, by Interscope Records as the follow-up to his 1992 debut album The Chronic. The record was produced primarily by Dr. Dre and Mel-Man, as well as Lord Finesse, and features several guest contributions from fellow American rappers such as The D.O.C., Hittman, Snoop Dogg, Kurupt, Xzibit, Nate Dogg, and Eminem. 2001 exhibits an expansion on his debut's G-funk sound and contains gangsta rap themes such as violence, promiscuity, drug use, street gangs, sex and crime.

 
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12. Paid in Full is the debut album of American hip hop duo Eric B. & Rakim, released on July 7, 1987, by Island-subsidiary label 4th & B'way Records. The duo recorded the album at hip hop producer Marley Marl's home studio and Power Play Studios in New York City, following Rakim's response to Eric B.'s search for a rapper to complement his disc jockey work in 1985. The album peaked at number fifty-eight on the Billboard 200 chart and produced five singles, "Eric B. Is President", "I Ain't No Joke", "I Know You Got Soul", "Move the Crowd", and "Paid in Full".

 
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11. Enter the Wu-Tang (36 Chambers) is the debut studio album by the American hip hop group Wu-Tang Clan, released November 9, 1993, on Loud Records and distributed through RCA Records. Recording sessions for the album took place during 1992 to 1993 at Firehouse Studio in New York City, and it was mastered at The Hit Factory. The album's title originates from the martial arts film The 36th Chamber of Shaolin (1978). The group's de facto leader RZA produced the album entirely, utilizing gritty, eerie beats and a sound largely based on martial-arts movie clips and soul music samples.

 

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