buttuh_b;5844661 said:Kellmill;5844636 said:It has the exact same formula as The Massacre and GRODT. You can stack up all of 50s albums next to each other and they are built from the same blueprint. It's better than Curtis, but it's nothing special. And the singles were some of the worst foulness known to man.
And Jay-Z hasn't done the same thing for his whole career?
It has similar content to his other projects because he is what he is. A gangster rapper who makes hits. If anything, he should be applauded for not conforming and taking the soft route or trying to dickride another region's sound.
I'm not really even talking about content. Jay does tend to rap about the same things over and over again but as far as the music goes his albums typically show some sort of change musically. Black Album, Kingdom Come, American Gangster, BP3, WTT are all very different sounding albums.
With every 50 album we get the "Patiently Waiting" knock off collab with Em. The "21 Questions/PIMP/Candy Shop" knock off single. The "What Up Gangsta" knock off (like Crimewave, which I actually like) and then the "Many Man" knock off when 50 makes an introspective song. The problem is that with each album the knock offs are starting to become more and more wack/redundant.
On a side note, I remember hating on The Massacre when it first came out but in retrospect that albums not bad at all aside from Candy Shop and Lil Bit, and aside from GRODT its 50 at his most ambitious point.
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