GSonII;5478667 said:
hiphop12345;5478653 said:
GSonII;5478603 said:
hiphop12345;5478546 said:
usmarin3;5478439 said:
SMH at NY niggas talking about trap, Bin Laden should crash a plane into these niggas whole movement
I'm not a fan of that either but everybody talk about Hustling, Bboy, DopeBoys, etc. Pretty much the whole country biting NY by doing Hip Hop.
So trap muzik is hip hop now since wack ass NY niggas wan't in on it and see it has been damn near 10 years since a nigga named a album Trap Muzik, then another nigga came with a Trap or Die Movement?
Huh?
Are u stupid nigga? KRS, Run DMC and those types did not talk about hustling and selling dope. You basically trying to say trap muzik is now a legit form of hip hop after you wack ass NY niggas hated on that shit for years.
I'm not going to give you a history lesson on Hip Hop, fuck it a short one.
Hip Hop(no such thing as NY Hip hop imo) always had talk about hustling, street shit etc but of course those artist weren't market as much because Hip Hop was still striving for mainstream acceptance. Russell didn't tell his artist what to say but he was about making that bread.
Trap always been legitimate even if most of the artist was ass, but I actually think trap music doesn't even exist anymore. Trap music use to be about the TRAP now it's just a beat style.
My whole point is that people try to put NY artist in a box(boom bap) as if NYC doesn't have the most diverse sounds in Hip Hop. Now I think people do that because they have they own self interest to look after but if these NY guys can out trap all the trap artist and make "better" trap music then why shouldn't they? If the whole world can bite NYC by making Hip Hop, why can't NY artist borrow from where ever the hell they want to?
Don't fear the competition.