Dr. Dre "The Chronic 2 - A New World Odor (Poppa's Got A Brand New Funk)" album link

[CracceR]

all this shit has been on youtube since forever

and most of it has been released on other albums anyway Dre presents aftermath etc.

 

[SneakDZA]

So what is this exactly?

Old random tracks off old random projects

That's where you're misguided at. Some of these tracks and instrumentals were meant for the actual project, including this version of "California Love". The entire album is everything Dre had a hand in or in the cases of "Let Me Ride 2001", "Bitchez", and "House Calls (Remix)" [the bonus tracks], he inspired. The live instrumentation on LMR (a likely instrumental he would've used for that album), then you had the "Bitchez Ain't Shit part 2" from The DOC from the "Helter Skelter" project that he was working on with Erotic D and company. Songs and beats The DOC and D was workin on before he bounced

Then you have The Street Scholars collaboration that he oversaw with Sam Sneed but obviously due to other reasons that project never got to see the light of day until later, which still has unheard material left. Plus J-Flexx was a part of that group and worked heavily with Dre during those times. He's even ghost spittin for Dre on "Burnin Up" but you can't really tell becuz I muddled it a little bit to the point where it sounds normal and like he's supposed to be actually rappin it. Sneed also played a pivotal role in Dre's moves & production Post-Doggystyle and looking at the credits and remembering "U Better Recognize" it's eazy to c. Flexx was writin shit for Dre too, like "California Love" for one.

Then you got Firm/Aftermath era Dre working heavily with Nas and still keeping RBX around for the show. Nas is all over this one. I could've added more but it wouldn't have made sense seeing as how this is a concept album. It's all about Mind Control on some Puppet Master shit but you'll never guess it becuz everything is so subliminal in the music thru the lyrics' messages as Song by Song rolls out

On top of that it tells a story if you follow the "script" and it weaves thru 4 sequences:

Sequence One - Death Row

Sequence Two - Familia

Sequence Three - Street Scholar

Sequence Four - Aftermath

the bonus tracks are bonus tracks that add more depth to the story. Had this had came out in real life they would've all showed up on different pressings before the max out [cd, cassette, vinyl]. But that's another story.

I've added edits to tracks that needed it and boosted levels within range for songs that needed a little more bump than mud. This whole thing plays out like a movie. Everything from The Intro to Been There Done That to Ghetto Hero to Phone Tap to whatever, all plays in to each other

In all honesty this isn't just another thrown together random ass bullshit compilation. This captures everything dude was aimin for during those times. Even sonically thru songs like "Natural Born Killaz" and "Blunt Time" and "Let Me Ride '01". Shit's just on a whole nother level.

So basically... old random tracks off old random projects.

 

[5 Grand]

So what is this exactly?

Old random tracks off old random projects

That's where you're misguided at. Some of these tracks and instrumentals were meant for the actual project, including this version of "California Love". The entire album is everything Dre had a hand in or in the cases of "Let Me Ride 2001", "Bitchez", and "House Calls (Remix)" [the bonus tracks], he inspired. The live instrumentation on LMR (a likely instrumental he would've used for that album), then you had the "Bitchez Ain't Shit part 2" from The DOC from the "Helter Skelter" project that he was working on with Erotic D and company. Songs and beats The DOC and D was workin on before he bounced

Then you have The Street Scholars collaboration that he oversaw with Sam Sneed but obviously due to other reasons that project never got to see the light of day until later, which still has unheard material left. Plus J-Flexx was a part of that group and worked heavily with Dre during those times. He's even ghost spittin for Dre on "Burnin Up" but you can't really tell becuz I muddled it a little bit to the point where it sounds normal and like he's supposed to be actually rappin it. Sneed also played a pivotal role in Dre's moves & production Post-Doggystyle and looking at the credits and remembering "U Better Recognize" it's eazy to c. Flexx was writin shit for Dre too, like "California Love" for one.

Then you got Firm/Aftermath era Dre working heavily with Nas and still keeping RBX around for the show. Nas is all over this one. I could've added more but it wouldn't have made sense seeing as how this is a concept album. It's all about Mind Control on some Puppet Master shit but you'll never guess it becuz everything is so subliminal in the music thru the lyrics' messages as Song by Song rolls out

On top of that it tells a story if you follow the "script" and it weaves thru 4 sequences:

Sequence One - Death Row

Sequence Two - Familia

Sequence Three - Street Scholar

Sequence Four - Aftermath

the bonus tracks are bonus tracks that add more depth to the story. Had this had came out in real life they would've all showed up on different pressings before the max out [cd, cassette, vinyl]. But that's another story.

I've added edits to tracks that needed it and boosted levels within range for songs that needed a little more bump than mud. This whole thing plays out like a movie. Everything from The Intro to Been There Done That to Ghetto Hero to Phone Tap to whatever, all plays in to each other

In all honesty this isn't just another thrown together random ass bullshit compilation. This captures everything dude was aimin for during those times. Even sonically thru songs like "Natural Born Killaz" and "Blunt Time" and "Let Me Ride '01". Shit's just on a whole nother level.

Dre's a perfectionist. He wouldn't have wanted anybody to listen to this.

 

[FishNChips]

@phukkyou2 why are you riding so hard for this mate? you make it seem like it's your album

 

[phukkyou2]

@phukkyou2 why are you riding so hard for this mate? you make it seem like it's your album

Because the whole world needs to know that this exist. Stop bein jelly that you didn't do it and enjoy.

 

[phukkyou2]

This is also for the people who got slighted who didn't get a chance to know what it was back then. All we got was that R&B Compilation, the world wanted more. All these other muthafuckin compilations weren't doing it right. Some of them even jacked my shit and probably didn't know it.

I gave the people what they wanted as much as I could (for free). Stop hatin and appreciate it

 

[RawAce]

So what is this exactly?

Old random tracks off old random projects

That's where you're misguided at. Some of these tracks and instrumentals were meant for the actual project, including this version of "California Love". The entire album is everything Dre had a hand in or in the cases of "Let Me Ride 2001", "Bitchez", and "House Calls (Remix)" [the bonus tracks], he inspired. The live instrumentation on LMR (a likely instrumental he would've used for that album), then you had the "Bitchez Ain't Shit part 2" from The DOC from the "Helter Skelter" project that he was working on with Erotic D and company. Songs and beats The DOC and D was workin on before he bounced

Then you have The Street Scholars collaboration that he oversaw with Sam Sneed but obviously due to other reasons that project never got to see the light of day until later, which still has unheard material left. Plus J-Flexx was a part of that group and worked heavily with Dre during those times. He's even ghost spittin for Dre on "Burnin Up" but you can't really tell becuz I muddled it a little bit to the point where it sounds normal and like he's supposed to be actually rappin it. Sneed also played a pivotal role in Dre's moves & production Post-Doggystyle and looking at the credits and remembering "U Better Recognize" it's eazy to c. Flexx was writin shit for Dre too, like "California Love" for one.

Then you got Firm/Aftermath era Dre working heavily with Nas and still keeping RBX around for the show. Nas is all over this one. I could've added more but it wouldn't have made sense seeing as how this is a concept album. It's all about Mind Control on some Puppet Master shit but you'll never guess it becuz everything is so subliminal in the music thru the lyrics' messages as Song by Song rolls out

On top of that it tells a story if you follow the "script" and it weaves thru 4 sequences:

Sequence One - Death Row

Sequence Two - Familia

Sequence Three - Street Scholar

Sequence Four - Aftermath

the bonus tracks are bonus tracks that add more depth to the story. Had this had came out in real life they would've all showed up on different pressings before the max out [cd, cassette, vinyl]. But that's another story.

I've added edits to tracks that needed it and boosted levels within range for songs that needed a little more bump than mud. This whole thing plays out like a movie. Everything from The Intro to Been There Done That to Ghetto Hero to Phone Tap to whatever, all plays in to each other

In all honesty this isn't just another thrown together random ass bullshit compilation. This captures everything dude was aimin for during those times. Even sonically thru songs like "Natural Born Killaz" and "Blunt Time" and "Let Me Ride '01". Shit's just on a whole nother level.

Dre's a perfectionist. He wouldn't have wanted anybody to listen to this.