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Broddie;7877682 said:It's about context.
If that was a panel in lets say one of Scott Snyder's many grimdark stories like Death of the Family that would be one thing.
However the rest of the Joker cover variants for that month are lighthearted in comparison and don't depict anything more than a harmless crime, standard attack or prank from The Joker. At the most you'd get Joker venom victims. It definitely comes across as something more mean spirited and in bad taste when compared to the rest.
I mean compare the following sequence of images and let me know which one completely sticks out like a sore thumb.
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Another thing is that particular comic series is not only lighthearted & tonally positive but also features a heroine who embraces superheroics and does her best to be the most competent hero that she can be.
Here we have the foundations of the book's tone completely shaken up to the point that it lands on the opposite end of the spectrum unlike the other variant covers. On top of that we have the competent heroine who smirks at the face of adversity cowering like an incompetent victim and with tears of horror in her eyes to further accentuate that point at that.
Hell yeah that could come across as pretty jarring especially to people who regularly read that particular title. I'm sure if a Joker variant for Red Hood & The Outlaws featured a similar scenario with Joker hovering over a cowering Jason Todd with a crow bar it would also ruffle feathers. Simply because the tone and content of RH&tO doesn't gel with portraying Jason in that light.
So I see no problem with people not only being offended by it but the artist himself deciding he'd like to have it pulled from publication altogether. Remember it was the artist who made the suggestion and insisted on it to DC not the other way around.
Bad taste is simply bad taste and I'm glad I live in a society that is still mostly sane enough to comprehend that.
Furthermore I'm someone who completely hates the notion that some creators and fans have that The Killing Joke must always so greatly define every single moment of Barbara Gordon's life. To the point that it becomes a crutch and makes it seem like she was not able to overcome that adverse situation because it never leaves her mind.
Or how it promotes the notion that she's pretty much nothing without that story defining her; well I'm glad to see people take a stand against further exploitation of that overrated ass story's narrative.
Black_Samson;7877720 said:Did u have to quote the shit tho?
Broddie;7877716 said:All that posts tells me is that you're dumb as hell and your reading comprehension is pretty atrocious.
The dude said he didn't see what the big deal was and I simply broke down for him where the problem was with that cover among a lot of the comic book reading community. At no point in that post was there any whining or crying. I simply stated that I could sympathize and even agree with the people who made a big stink about it because I also do feel it's pretty tasteless contextually. It's simply sharing information for clarification as well as my personal take on things. Don't like it. Don't read my posts.
I swear sometimes I wonder why I even bother with this forum anymore since some people get so aggy when we use the forum as an actual forum for discussion.
Another thing is that particular comic series is not only lighthearted & tonally positive but also features a heroine who embraces superheroics and does her best to be the most competent hero that she can be.
Here we have the foundations of the book's tone completely shaken up to the point that it lands on the opposite end of the spectrum unlike the other variant covers. On top of that we have the competent heroine who smirks at the face of adversity cowering like an incompetent victim and with tears of horror in her eyes to further accentuate that point at that.
lord nemesis;7877838 said:I see what you're saying but it still seems like a lot of hubbub over a variant. If people don't like it they can just buy the issue with another cover. Art is art, sometimes people will find it offensive but that doesn't mean you have to basically censor it.
nujerz84;7877832 said:Just because Batgirl's new team has taken an ABC Family High School Teen Drama approach with her character from both a story-line and artistic standpoint (from looking like early 20's adult to now looking like she is 14 years old).
It doesn't dismisses the first 34 issues where 1. She was constantly questioning and doubting her abilities taking up the mantel again and 2. The stories were just as dark, violent and gritty as any Batman comic. 3. The Killing Joke Shit is brought up plenty of times in her run in those issues... If that upsets you take it up with DC and have them rewrite it from Cannon.its THE key essential aspect of her story in the DC Universe and Origin in The New 52.
Broddie;7878080 said:nujerz84;7877832 said:Just because Batgirl's new team has taken an ABC Family High School Teen Drama approach with her character from both a story-line and artistic standpoint (from looking like early 20's adult to now looking like she is 14 years old).
It doesn't dismisses the first 34 issues where 1. She was constantly questioning and doubting her abilities taking up the mantel again and 2. The stories were just as dark, violent and gritty as any Batman comic. 3. The Killing Joke Shit is brought up plenty of times in her run in those issues... If that upsets you take it up with DC and have them rewrite it from Cannon.its THE key essential aspect of her story in the DC Universe and Origin in The New 52.
The thing is...that it isn't.
The key essential aspects of Barbara Gordon are:
1) She's a very resourceful crimefighter with great leadership skills
2) She's the daughter of the Gotham City Police Commisioner
3) She has an on/off again relationship with Richard Grayson
4) She's one of the pillars of the batfamily
This "key essential aspect" you're talking about is so "essential" that she hadn't even dwelled on it or really overtly addressed it in story for over 15 years prior to the New 52 relaunch.
On top of that those first 34 issues were
1) So poorly received that as sales kept dipping month after month DC contemplated cancelling the book
2) Anchored by a narrative that was so poorly received by people still reading the book after it had already lost thousands of readers that it got Gail Simone (who ironically was instrumental in helping Babs further evolve as a character a decade earlier) kicked off the book.
It wasn't like it was a DC editorial mandate to have those TKJ references plaguing the current story of the book so there is no reason to take it up with them. It was a creative choice by Gail Simone and enough fans "took it up" by dropping the book to the point that it was slumping in sales every month that DC responded by removing her from the book altogether.
Which is why we're were we are now with the book in terms of creative team and vision.
nujerz84;7878314 said:Broddie;7878080 said:nujerz84;7877832 said:Just because Batgirl's new team has taken an ABC Family High School Teen Drama approach with her character from both a story-line and artistic standpoint (from looking like early 20's adult to now looking like she is 14 years old).
It doesn't dismisses the first 34 issues where 1. She was constantly questioning and doubting her abilities taking up the mantel again and 2. The stories were just as dark, violent and gritty as any Batman comic. 3. The Killing Joke Shit is brought up plenty of times in her run in those issues... If that upsets you take it up with DC and have them rewrite it from Cannon.its THE key essential aspect of her story in the DC Universe and Origin in The New 52.
The thing is...that it isn't.
The key essential aspects of Barbara Gordon are:
1) She's a very resourceful crimefighter with great leadership skills
2) She's the daughter of the Gotham City Police Commisioner
3) She has an on/off again relationship with Richard Grayson
4) She's one of the pillars of the batfamily
This "key essential aspect" you're talking about is so "essential" that she hadn't even dwelled on it or really overtly addressed it in story for over 15 years prior to the New 52 relaunch.
On top of that those first 34 issues were
1) So poorly received that as sales kept dipping month after month DC contemplated cancelling the book
2) Anchored by a narrative that was so poorly received by people still reading the book after it had already lost thousands of readers that it got Gail Simone (who ironically was instrumental in helping Babs further evolve as a character a decade earlier) kicked off the book.
It wasn't like it was a DC editorial mandate to have those TKJ references plaguing the current story of the book so there is no reason to take it up with them. It was a creative choice by Gail Simone and enough fans "took it up" by dropping the book to the point that it was slumping in sales every month that DC responded by removing her from the book altogether.
Which is why we're were we are now with the book in terms of creative team and vision.
The New 52 has cancelled many titles since relaunch and will continue to do so ..the fact Batgirl is still in publication shows its still has enough support for it.
Gail Simone run in those 34 issues was critically praised the fact its sales didn't reflect itfurther feeds my point that comic book fans are never satisfied and are always bitching about something.
You being a prime example with the sneak dissing of the TKJ to expressed dislike of Scott and Greg work on Batman despite it being DC top selling comic and one of better critical acclaim titles in all of comics.
In addition nothing you Said address the fact the 34 issues were dark violent and gritty which falls right in line with the Variant Cover, Gotham City and Joker Overrall.
As for Batgirl
1. Its is an essential part her story how else would she go from Batgirl to Wheelchair Bound Oracle without the events of TKJ without an entire re-write of her character?
2. Those events were always mentioned in some form or another in various Bat related titles whenever Joker is was the main antagonist.
3. Common sense says if she is now back to being Batgirl the events of TKJ is and would be one the major mental hurdles/obstacles to get over in addition to being rusty and doubting her abilities.
All of which was done effectively well which brought a sense of realism similar to star athletes in sports coming back from injury or an individual getting life back over a traumatic event.
It only natural and normal that those doubts would be brought up again when facing the Joker.
Which to me considering her history and its Gotham City makes no sense from a narrative standpoint.