rapmastermind
New member
Well they are pretty close and both learned from Slick Rick and G Rap. But Biggie has the edge cause he told stories over an entire album. "Ready To Die" and "Life After Death" play like audio films or novels. Also if you look at the timeline it was clear NaS was influenced by Biggie's cinematic storytelling. Biggie was one of the 1st to use sound effects in his stories to help you with the visual. Take the beeper going off in the beginning of "Warning", the rain drops in "Somebody's Got To Die", litterally hearing Ron "Laughing" in "Niggas Bleed". Also Biggie compared himself to "Alfred Hitchcock" cause his story seem to always have shock endings or be very suspenseful. When NaS did "Undying Love" and commited suicide at the end after killing his girl and her lover she was cheating with was dope, the prequel to that story as he drives home drunk in "Drunk By Myself" discribing his feelings was even more epic. But when Biggie killed himself in "Sucidal Thoughts" and well as accidently killing a baby in "Somebody's Got To Die" you believed it more, it felt more real.
After Big's Death NaS definitely went on to have a broader storytelling catalog. But Big would tell stories even in songs that weren't storytelling, outside of Flow, Storytelling was clearly Biggie's best skill. When you look at the catalog it seems Big would do different genre's within his stories. Suspense Thrillers, Romatic Comedies, Crime adventures. I felt NaS definitley got more cinematic on "It Was Written" with "Shootouts" and he never looked back. Telling stories Backwards with "Rewind", Love triagles with "Blaze a 50" and he even rapped as a fetus, but Big did that also rapping from his mother's womb on the storytelling track "Respect". Again, NaS spit songs of Stories, Biggie spit full albums of stories. I think they are neck in neck but Big stories you believed more, some of NaS stories felt kinda forced where as Biggie it really felt like an audio film, each character and scene was painted out for you in your mind. Even his 1st solo song was a pretty dope story "Party and Bullshit" which even had a real fight at the end of the song. Big just had a way of telling a story through rap that always painted pictures.
After Big's Death NaS definitely went on to have a broader storytelling catalog. But Big would tell stories even in songs that weren't storytelling, outside of Flow, Storytelling was clearly Biggie's best skill. When you look at the catalog it seems Big would do different genre's within his stories. Suspense Thrillers, Romatic Comedies, Crime adventures. I felt NaS definitley got more cinematic on "It Was Written" with "Shootouts" and he never looked back. Telling stories Backwards with "Rewind", Love triagles with "Blaze a 50" and he even rapped as a fetus, but Big did that also rapping from his mother's womb on the storytelling track "Respect". Again, NaS spit songs of Stories, Biggie spit full albums of stories. I think they are neck in neck but Big stories you believed more, some of NaS stories felt kinda forced where as Biggie it really felt like an audio film, each character and scene was painted out for you in your mind. Even his 1st solo song was a pretty dope story "Party and Bullshit" which even had a real fight at the end of the song. Big just had a way of telling a story through rap that always painted pictures.
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