When did the Source Magazine start losing its mic rating credibility?
Maximus Rex;8592645 said:Cybertr0n;8592594 said:
Bruh, I like rappers that can actually rap. However, Rex is feeling those identical twin booty girls in your sig picture. Do they lick twat and fuck each other on tape?
I like rappers that can rap too but I guess I'm fond to those albums because of my cousins from the south. I really enjoyed those albums. Rappers don't always have to be too lyrical for me to enjoy an album
The Jolie's do a lot of kissing, teasing, and licking each other tits. I'm still on standby waiting for them to do the other stuff. back on topic tho, lol.
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5th Letter
New member
I think the Eminem beef was what killed the mic rating.
ChillaDaGawd
New member
1. EMINEM
2. XXL got better
2. XXL got better
Maximus Rex
New member
tharealest561;8592605 said:
Any album that wasn't his project.
tharealest561;8592605 said:
What the fuck does even mean? E-40 was going platinum when The Source was relevant and he never got a Source cover. It took MCA dying for the Beastie Boys get a Source cover and they're one of the most influential and important groups in the history of hip hop.
You Down South cats always get all in your feelings when ever the subject of the wackness that emanated from that tank label is brought up. Fifteen years after the fact, you're still are under the delusion that No Limit Records had drop artists and produced good music, not only that, you're trying to convince the rest of the world of it too.
Master P is the genesis of the garbage music that's out today and you Down South cats are the blame for it because ya'll muthafuckas supported that shit en masse. There was a myriad of reasons why Richmond, (and the Bay for that matter,) didn't support P, and one of is the muthafucka was straight trash, (on top of the fact that he was stayin' bitin' niggas shit.)
With the exception of Mystikal, every No Limit artist was a no talent, flowless, no lyric havin' hack who had no business even looking at a microphone let alone recording albums for the masses. Instead of wondering why hip hop community doesn't like Master P and No Limit, y'all need to ask yourselves why love the dude's music so much. the only thing positive I can say about No Limit is that at least they were the one's writing that bullshit.
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SheerExcellence
New member
No limit definitely had some good shit.
Ice cream man is dope to me and I'm from ny
Bout it bout it will always be my shit
Ice cream man is dope to me and I'm from ny
Bout it bout it will always be my shit
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SheerExcellence;8592749 said:
They sure did. I may not like everything they put out. But the albums by TRU, C-Murder, Mac, Fiend, Soulja Slim, Mia X, Mystikal, Mr. Serv-On and Kane and Abel were dope to me. A lot of people just like to hate No Limit because of the singles and videos. They probably never listened to an album in its entirety.
If I call somebody wack, I give them a chance at least then state my opinion.
JokerzWyld
New member
When Lil Kim's "The Naked Truth" got 5 mics & Common's "Be" didn't?
tharealest561
New member
Maximus Rex;8592726 said:tharealest561;8592605 said:
Any album that wasn't his project.
tharealest561;8592605 said:
What the fuck does even mean? E-40 was going platinum when The Source was relevant and he never got a Source cover. It took MCA dying for the Beastie Boys get a Source cover and they're one of the most influential and important groups in the history of hip hop.
You Down South cats always get all in your feelings when ever the subject of the wackness that emanated from that tank label is brought up. Fifteen years after the fact, you're still are under the delusion that No Limit Records had drop artists and produced good music, not only that, you're trying to convince the rest of the world of it too.
Master P is the genesis of the garbage music that's out today and you Down South cats are the blame for it because ya'll muthafuckas supported that shit en masse. There was a myriad of reasons why Richmond, (and the Bay for that matter,) didn't support P, and one of is the muthafucka was straight trash, (on top of the fact that he was stayin' bitin' niggas shit.)
With the exception of Mystikal, every No Limit artist was a no talent, flowless, no lyric havin' hack who had no business even looking at a microphone let alone recording albums for the masses. Instead of wondering why hip hop community doesn't like Master P and No Limit, y'all need to ask yourselves why love the dude's music so much. the only thing positive I can say about No Limit is that at least they were the one's writing that bullshit.
Yall call this ether? I asked for examples of albums that got 4 mics and this little boy wrote a three part trilogy about how the south fucked his mom while he was in the next room trying to sleep. Tell me how you really feel bruh...we can work through this together.
And aint nobody talking about how great P's music is; he was on the cover cause he sold millions and millions of records. He was on the first cover of the XXL too...it's called marketing what's hot at the time.
illestni99ainne
New member
I personally quit fucking with the source when this album didn't get the 5 mics it was deserving.
saracenwire
New member
when stillmatic got 5 mics.
MorganFreemanKing
New member
Benzino was cool with one of the founders
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Maximus Rex;8592726 said:tharealest561;8592605 said:
Any album that wasn't his project.
tharealest561;8592605 said:
What the fuck does even mean? E-40 was going platinum when The Source was relevant and he never got a Source cover. It took MCA dying for the Beastie Boys get a Source cover and they're one of the most influential and important groups in the history of hip hop.
You Down South cats always get all in your feelings when ever the subject of the wackness that emanated from that tank label is brought up. Fifteen years after the fact, you're still are under the delusion that No Limit Records had drop artists and produced good music, not only that, you're trying to convince the rest of the world of it too.
Master P is the genesis of the garbage music that's out today and you Down South cats are the blame for it because ya'll muthafuckas supported that shit en masse. There was a myriad of reasons why Richmond, (and the Bay for that matter,) didn't support P, and one of is the muthafucka was straight trash, (on top of the fact that he was stayin' bitin' niggas shit.)
With the exception of Mystikal, every No Limit artist was a no talent, flowless, no lyric havin' hack who had no business even looking at a microphone let alone recording albums for the masses. Instead of wondering why hip hop community doesn't like Master P and No Limit, y'all need to ask yourselves why love the dude's music so much. the only thing positive I can say about No Limit is that at least they were the one's writing that bullshit.
The label was pretty corny overall and Mo B. Dick was the worst hook man of all time, but they did drop some heat from there. Tru 2 the game, Ghetto Dope, Fiend there's one in every family, shell shocked, Mia X was dope, I kinda liked Soulja Slim and Mystikal was good. They are definetly not the worst label ever.
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