Install the app
How to install the app on iOS
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an alternative browser.
You should upgrade or use an alternative browser.
Fazeem_Blackall
New member
the shit amazes me to this day how simple and easily distracted most people are...
Last edited:
NevaChanged
New member
AntonLATroy;175818 said:Wow I never heard those other freestyles before. Makes you wonder how much more is really out there?
It sure does.
Last edited:
kingblaze84
New member
UK.HIPHOP;195343 said:i was an EM stan when i was like 12
these days i dnt really like him, bar a few tunes
there is only so much u can listen 2, when man is talkin bout raping/killing his mum/wife, drugs etc, on every album
I agree, I dont listen to Eminem a whole lot nowadays, but I will still give him credit for being an incredible lyricist. Most people I know wouldnt listen to Eminem everyday but most around the world have no problem saying he is at least top 5 of all time. His talent is undeniable.
Last edited:
kingblaze84
New member
Fazeem Blackall;194980 said:the shit amazes me to this day how simple and easily distracted most people are...
Eminem's rhymes and lyrics are anything but simple.
Last edited:
Fazeem_Blackall
New member
All these Black folks popping out the wood works now for Em, I wonder what ethnic circles they really run In I have never heard a group of brothers Bumping Em in the Central or South End out here but I will see in the North end or Eastside the token black dude raised in the burbs with his white homies bumpin em...
Last edited:
ambiguous1
New member
Fazeem Blackall;200985 said:All these Black folks popping out the wood works now for Em, I wonder what ethnic circles they really run In I have never heard a group of brothers Bumping Em in the Central or South End out here but I will see in the North end or Eastside the token black dude raised in the burbs with his white homies bumpin em...
It's funny you say this. I did a hip hop show will all black groups this weekend and i burned 2 copies of Relapse for 2 of the groups b/c they asked me if i could
Last edited:
Fazeem_Blackall
New member
must have been some shitty groups if they did not have the resources to Burn the shit themselves or they could have been fucking around since you were the WHite boy there and they wanted to make you feel more welcomed either way you ain't saying shit other then some attempted spin...ambiguous1;201029 said:It's funny you say this. I did a hip hop show will all black groups this weekend and i burned 2 copies of Relapse for 2 of the groups b/c they asked me if i could
Last edited:
ambiguous1
New member
Fazeem Blackall;201075 said:must have been some shitty groups if they did not have the resources to Burn the shit themselves or they could have been fucking around since you were the WHite boy there and they wanted to make you feel more welcomed either way you ain't saying shit other then some attempted spin...
we were backstage kicking and i had my laptop there and they had blank CD"s so they asked and i just burned it for them really quick. I'm sure they could have gotten it off line by themselves.
I'm sure them reaching out to me to do the show, the beers they gave me and when we were freestyling and partying after the show was all attempts to make me feel welcomed...
they're so thoughtful or it just reinforces my opinion that race in hip hop is maginfied 10000% on the web
Last edited:
NAWLEDGE_REIGNS
New member
Skill wise.....Possibly To Say He Cant Spit Is Just Plain Hate....But Id Have To Say No Overall His Catalogue Bores Me To Tears....His Bipolar Angry/Silly White Boy Music Can Irritating After Awhile
Last edited:
Punisher__
New member
He could've been one of the GOATS...until Mariah ended his career.
Last edited:
Fazeem_Blackall
New member
Welcome Back stay awhile bro...Punisher__;201497 said:He could've been one of the GOATS...until Mariah ended his career.
Last edited:
Punisher__
New member
Fazeem Blackall;201605 said:Welcome Back stay awhile bro...
Appreciate it, bruh.
Niggas couldn't hold me down.
Last edited:
Punisher__;201497 said:He could've been one of the GOATS...until Mariah ended his career.
How those mariah album sales doing? I think the "ether" was the other way around....
Last edited:
Punisher__
New member
Capo1;201881 said:How those mariah album sales doing? I think the "ether" was the other way around....
We are currently at Gold.
Which is fantastic, considering.
Last edited:
rockman135
New member
yo im dominican .. i mean i mite not fuk wit eminem hardbody ..i did own marshall mathers and u cant deny dude is one of the illest lyricist... i mean yo his pen game is to serious i just dont like some his content on the relapse .. but def em is a goat
Last edited:
Fazeem_Blackall
New member
Shady Records Forced to Withdraw Lawsuit Against The Source to Avoid Public Embarrassment of Impending Trial
Eminem Would Have Had To Take The Stand To Explain Details Behind The Series Of Songs Calling Black People 'N***ers,' 'P**ch M****ys,' and 'Sp**r Ch***ers'
The Source To Announce Its Plans To Release The Full Recordings In The Coming Weeks As Evidence Of Corruption And Corporate Irresponsibility In The Hip-Hop Industry Mounts
On Wednesday, March 23, just two weeks before Eminem was going to have to take the stand and explain the details of a series of songs he made calling Black people "n***ers," "p**ch m****ys," and "sp**r ch***ers," his own company, Shady Records, withdrew a lawsuit they brought against The Source Magazine in 2003, admitting that The Source had done nothing illegal when it played the songs at a press conference and posted snippets on its website.
As The Source originally reported, the songs were recorded in 1993, when Eminem was 21 years old. Eminem had lied and said he was only 16, and also lied about having a breakup with an "African-American" girlfriend, who never existed.
"These guys had us in court for two years now, claiming we were guilty of copyright infringement just because we reported on the racist songs that Eminem made," said David Mays, co-Founder and CEO of The Source.
"Now, they admit that we were right all along, after they spent the past two years telling everyone that The Source has no integrity and that we have a 'personal vendetta' against Eminem. We have had to spend a lot of money in court, not to mention that Interscope Records has pulled millions of dollars of advertising from our magazine and tried to influence others to do the same. And a federal judge watches all of this take place and then allows them to withdraw without any penalty. That is how crazy this situation is."
"It was a cowardly move for Eminem to back out of his lawsuit against us just two weeks before he was going to have to take the stand, but it doesn't surprise me," said Ray Benzino, co-Founder and Chief Brand Executive of The Source. "The fact that he lied about his past and still hasn't had the courage to come out in public and address his racist songs, shows the lack of respect he has for the Hip-Hop community."
"It appears that Eminem's 'copyright infringement' lawsuit was nothing more than a strong-arm attempt to silence The Source's constitutional right to freedom of the press-another attack in Interscope Records' dirty war to cover up the truth about racism and corruption in the Hip-Hop industry," added Mays. In the past 3 weeks, the New York Daily News published a series of editorials where they criticized Interscope's parent company Vivendi Universal Music Group for prospering by "peddling the destructive and the dangerous" and turning "a blind eye" towards violence in the industry.
The Daily News went on to call for stockholders to demand an explanation from Vivendi Universal's top management. Reverend Al Sharpton also recently announced his intent to buy stock in record companies so he can get some answers on how they plan to stop violence in the Hip-Hop industry. Sharpton met last week with FCC Chairman Kevin Martin to address the role of radio stations and their dj's in inciting violence by allowing rappers to taunt each other over the public airwaves.
In a shocking investigative report to be published in the upcoming May issue, The Source Magazine and its staff of Hip-Hop truthseekers uncover startling facts that suggest the recent "truce" between 50 Cent and The Game was a staged publicity event, and expose the role of Interscope president Jimmy Iovine in producing the song "Rock n Roll N***er" in 1978.
The Source is the most widely-recognized and well-respected brand name in communications for Hip-Hop fans across the globe, earned through The Source Magazine's role as the most trusted media voice for the Hip-Hop movement for over 16 years. The Source is the #1 selling music magazine on newsstands in America, reaching nearly 9 million readers per month. Co-founder and CEO David Mays, along with Co-founder and Chief Brand Executive Raymond Scott, have successfully built The Source business brand into a renowned trademark, with extensions in music, television and consumer products such as clothing and DVD's.
Eminem Would Have Had To Take The Stand To Explain Details Behind The Series Of Songs Calling Black People 'N***ers,' 'P**ch M****ys,' and 'Sp**r Ch***ers'
The Source To Announce Its Plans To Release The Full Recordings In The Coming Weeks As Evidence Of Corruption And Corporate Irresponsibility In The Hip-Hop Industry Mounts
On Wednesday, March 23, just two weeks before Eminem was going to have to take the stand and explain the details of a series of songs he made calling Black people "n***ers," "p**ch m****ys," and "sp**r ch***ers," his own company, Shady Records, withdrew a lawsuit they brought against The Source Magazine in 2003, admitting that The Source had done nothing illegal when it played the songs at a press conference and posted snippets on its website.
As The Source originally reported, the songs were recorded in 1993, when Eminem was 21 years old. Eminem had lied and said he was only 16, and also lied about having a breakup with an "African-American" girlfriend, who never existed.
"These guys had us in court for two years now, claiming we were guilty of copyright infringement just because we reported on the racist songs that Eminem made," said David Mays, co-Founder and CEO of The Source.
"Now, they admit that we were right all along, after they spent the past two years telling everyone that The Source has no integrity and that we have a 'personal vendetta' against Eminem. We have had to spend a lot of money in court, not to mention that Interscope Records has pulled millions of dollars of advertising from our magazine and tried to influence others to do the same. And a federal judge watches all of this take place and then allows them to withdraw without any penalty. That is how crazy this situation is."
"It was a cowardly move for Eminem to back out of his lawsuit against us just two weeks before he was going to have to take the stand, but it doesn't surprise me," said Ray Benzino, co-Founder and Chief Brand Executive of The Source. "The fact that he lied about his past and still hasn't had the courage to come out in public and address his racist songs, shows the lack of respect he has for the Hip-Hop community."
"It appears that Eminem's 'copyright infringement' lawsuit was nothing more than a strong-arm attempt to silence The Source's constitutional right to freedom of the press-another attack in Interscope Records' dirty war to cover up the truth about racism and corruption in the Hip-Hop industry," added Mays. In the past 3 weeks, the New York Daily News published a series of editorials where they criticized Interscope's parent company Vivendi Universal Music Group for prospering by "peddling the destructive and the dangerous" and turning "a blind eye" towards violence in the industry.
The Daily News went on to call for stockholders to demand an explanation from Vivendi Universal's top management. Reverend Al Sharpton also recently announced his intent to buy stock in record companies so he can get some answers on how they plan to stop violence in the Hip-Hop industry. Sharpton met last week with FCC Chairman Kevin Martin to address the role of radio stations and their dj's in inciting violence by allowing rappers to taunt each other over the public airwaves.
In a shocking investigative report to be published in the upcoming May issue, The Source Magazine and its staff of Hip-Hop truthseekers uncover startling facts that suggest the recent "truce" between 50 Cent and The Game was a staged publicity event, and expose the role of Interscope president Jimmy Iovine in producing the song "Rock n Roll N***er" in 1978.
The Source is the most widely-recognized and well-respected brand name in communications for Hip-Hop fans across the globe, earned through The Source Magazine's role as the most trusted media voice for the Hip-Hop movement for over 16 years. The Source is the #1 selling music magazine on newsstands in America, reaching nearly 9 million readers per month. Co-founder and CEO David Mays, along with Co-founder and Chief Brand Executive Raymond Scott, have successfully built The Source business brand into a renowned trademark, with extensions in music, television and consumer products such as clothing and DVD's.
Last edited:
