Michael_Malice
New member
The CYOL beef is real. We could get some dope covers out of this.
IceBergTaylor
New member
Much love to tou brother didn't mean to rile you up and start mansplain yourself
IceBergTaylor
New member
Good luck
jazzybella
New member
Look... I cant deal with this tonight. just found out the guy I was talking to is gay ad im tipsy off of hennessy
jazzybella
New member
ill handle this torrows
everyone have a good night until then
everyone have a good night until then
jazzybella
New member
yung$;8411162 said:
:s I had no clue....
nillerthekid
New member
Longevity: Sion – managed to put together a young promising roster, where most of the artists have already excelled and made a place for themselves, and I find it likely they will continue to be a factor. Given the different acts on the roster, this would mean both mainstream and underground presence for the label.
While FH&H also got young promising people on their roster, most of these are pop acts, and historical these type of artists have a shorter career-span.
Critically acclaim: Sion – while looking at the respective rosters, it seems like each label where aiming for different things. Sion seems focused on the quality of his artists and their output, which should guaranty lots of praise for the label.
Sales: FH&F – Ibex on the other hand seems to have focused more on the top-sellers, and I don’t see anyone on Sions label, except Eminem and maybe Kendrick, who can put up numbers matching their opponents. The longevity aspect could factor in here, but while Sion beats Ibex generally here, in the sales department, Ibex has enough power to outmatch Sion here, even if most of his acts should fall off/loose mainstream relevance.
Cohesion: FH&F – as a label FH&H has a clear focus on chart-domination, and the roster reflects this. Most of the acts falls into this category, and this secures a lot of cohesion in the label.
Sion also managed to put together a roster with great cohesion, but looking over the two rosters, there are a few more names standing out, and ruining the cohesion, in my opinion.
Artwork/traklists: Sion – both players did an amazing job, and showed a lot of creativity throughout, with both covers and tracklists. Picking a winner was very hard, but in the end Sion takes it, barely. Unlike Ibex, he made projects for every one of his artists, something I was missing a bit from Ibex, where some great chances might have been missed, due to the fact he didn’t make or release projects from some of his more interesting names. I would have liked to see what he could’ve come up with for people like D’Angelo and Maxwell.
Votes goes to: Sion with the votes 3-2
While FH&H also got young promising people on their roster, most of these are pop acts, and historical these type of artists have a shorter career-span.
Critically acclaim: Sion – while looking at the respective rosters, it seems like each label where aiming for different things. Sion seems focused on the quality of his artists and their output, which should guaranty lots of praise for the label.
Sales: FH&F – Ibex on the other hand seems to have focused more on the top-sellers, and I don’t see anyone on Sions label, except Eminem and maybe Kendrick, who can put up numbers matching their opponents. The longevity aspect could factor in here, but while Sion beats Ibex generally here, in the sales department, Ibex has enough power to outmatch Sion here, even if most of his acts should fall off/loose mainstream relevance.
Cohesion: FH&F – as a label FH&H has a clear focus on chart-domination, and the roster reflects this. Most of the acts falls into this category, and this secures a lot of cohesion in the label.
Sion also managed to put together a roster with great cohesion, but looking over the two rosters, there are a few more names standing out, and ruining the cohesion, in my opinion.
Artwork/traklists: Sion – both players did an amazing job, and showed a lot of creativity throughout, with both covers and tracklists. Picking a winner was very hard, but in the end Sion takes it, barely. Unlike Ibex, he made projects for every one of his artists, something I was missing a bit from Ibex, where some great chances might have been missed, due to the fact he didn’t make or release projects from some of his more interesting names. I would have liked to see what he could’ve come up with for people like D’Angelo and Maxwell.
Votes goes to: Sion with the votes 3-2
jazzybella
New member
Thank you niller!!! Sorry about last night but life came at me real fast yesterday LOL I'm going to see what's up with this situation with Tay and get back to everyone. Have a great day guys 
@jazzybella
The situation with me is I'm done find a new judge cuz it seems folks think I'm trolling
But let me remind u Taylor Swift had the fastest and highest selling album last yr and came into 2015 in the same number one spot selling 5mill in the u.s alone I'm not even gonna say the world wide sell number but she outsold Kendrick and Em by her damn self..... But yet folks think she's not critically acclaimed oh ok
Then I get accused of working with ibex when I have nothing to gain from it
I'm not participating in the tournament so the Weeknd/Rhianna album doesn't help me any since I had the weekend nor does me letting sion use Dre help me
So unless one of u is gonna pay me $50 through PayPal for a vote I have no reason to cheat sion out of anything cuz I gain nothing from it
Also Taylor said I think ibex has the best label....I didn't say best in the tournament doe just the best as of now cuz idk what other players have cooked up with there labels so foh with the bias accustion
Most of ibex label are literally high selling acts with Grammy's or Grammy nomination's behind them and critical acclaim in there gerne Google it if u don't believe me....yet I'm full of shit -_-
Folks literally sayin slaughter house who ain't been a big thing or big hit since there formation is holding up sion label along with odd future who's only two acts close to Mainstream success are Earl and Taylor once again -_-
Ab-Soul, Jay Rock and Logic still have alot to prove...where's there hits? Wheres there number sells? How long have they been I'm the game compared to the folks on ibex label?
Em, Kendrick and SchoolboyQ are the only ones on his label either mainstream successful or close to being mainstream successful..... Yet my vote was bais and unjustified hmmmm ya I'm done judging since I'm lying and saying ibex didn't out due sion in the tactics department
Seriously a label souly focused on rap is outlasting and outselling a label hitting 4 gernes at once yep that's logical....only on the I.C
Let's not forget rhinnia, usher, Katy Perry, pharrel all do major numbers but ya I'm the one full of shit
The situation with me is I'm done find a new judge cuz it seems folks think I'm trolling
But let me remind u Taylor Swift had the fastest and highest selling album last yr and came into 2015 in the same number one spot selling 5mill in the u.s alone I'm not even gonna say the world wide sell number but she outsold Kendrick and Em by her damn self..... But yet folks think she's not critically acclaimed oh ok
Then I get accused of working with ibex when I have nothing to gain from it
I'm not participating in the tournament so the Weeknd/Rhianna album doesn't help me any since I had the weekend nor does me letting sion use Dre help me
So unless one of u is gonna pay me $50 through PayPal for a vote I have no reason to cheat sion out of anything cuz I gain nothing from it
Also Taylor said I think ibex has the best label....I didn't say best in the tournament doe just the best as of now cuz idk what other players have cooked up with there labels so foh with the bias accustion
Most of ibex label are literally high selling acts with Grammy's or Grammy nomination's behind them and critical acclaim in there gerne Google it if u don't believe me....yet I'm full of shit -_-
Folks literally sayin slaughter house who ain't been a big thing or big hit since there formation is holding up sion label along with odd future who's only two acts close to Mainstream success are Earl and Taylor once again -_-
Ab-Soul, Jay Rock and Logic still have alot to prove...where's there hits? Wheres there number sells? How long have they been I'm the game compared to the folks on ibex label?
Em, Kendrick and SchoolboyQ are the only ones on his label either mainstream successful or close to being mainstream successful..... Yet my vote was bais and unjustified hmmmm ya I'm done judging since I'm lying and saying ibex didn't out due sion in the tactics department
Seriously a label souly focused on rap is outlasting and outselling a label hitting 4 gernes at once yep that's logical....only on the I.C
Let's not forget rhinnia, usher, Katy Perry, pharrel all do major numbers but ya I'm the one full of shit
jazzybella
New member
@yung$ and @JaDaDon are up next. I need rosters/albums from you @JaDaDon. And y'all round begins Friday at 5pm 
I've already stepped down so it doesn't.matter and u say take some things I say out if context....but a labels job is to find and push artist that will do big things and that's fact I'm not doing future insight on any artist im lookin at past work my problem is getting called unbiased when I state facts I could care less abt ibex and the game jus don't appreciate being called something Im not when I state facts
So this is what we doing now?? Like I've been in all tournaments had to deal with all types of bias from judges and favoritism towards Sion and I ate that shit. Now because one judge gave HIS opinion and 2 people have an issue its a problem? Ya'll need to just keep it real and say you fear my label and its capabilities. I put out 10 projects to Sion's 25 and right now we are at a dead heat. I think that says a lot about my quality of work. In addition I did one outside project with the Weeknd and the rest of my work is in house. I didn't have to piggy back off names like Jay-Z, or Outkast, or J Cole to find loopholes to release albums under my label. Now since we breaking down labels Eminem is living off his name he hasn't dropped anything good in damn near a decade. Kendrick and Top dog is dope but they don't have enough bullets in the gun the generate the sales and critical acclaim my label can. So now we're left with Slaughterhouse and Odd Future -_- ...bruh GTFOH thinking they doing something. It's damn near disrespectful to claim that a label built to put out music across 4+ genres and sustain success is gonna do better than an all rap label. I'm really not one for all this talking and chicanery but ya'll niggas tried to play me and I ain't having that.
IceBergTaylor
New member
Ibex;8412264 said:
my nigga, with respect... Shut up
IceBergTaylor
New member
I had no issues. I only pointed out how he articulated his opinion, it came off very pro-ibex. I said nothin more. Jazzy has already handled the situation so we moving on now
