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5. "127 Hours" (2010)
At first glance, the eternally kinetic Boyle seems like an ill fit for a film about a guy trapped under a rock for 5 days and change. And sometimes Boyle's style is a bit much, particularly whenever he whips the film out of the canyon and into flashbacks in order to bring us a predictable moral of how everybody needs somebody. But his choices are just as often inspired, like when he cuts rapidly from one angle to another in the canyon to simulate Aron Ralston's frantic state of mind, the use of Bill Withers's "Lovely Day" in a montage of people drinking energy drinks and sodas just as he's running low on water, or his unflinching depiction of Ralston's self-amputation. James Franco's performance is among the actor's best, particularly in a mock-interview scene that oscillates between goofy self-mocking and sincere regret. It's not a rich film, but it's often a gripping one.
4. "28 Days Later" (2002)
"28 Days Later" is Boyle's first feature shot on digital and it came at a period where the format seemed incapable of not looking ugly. Working with Anthony Dod Mantle for the first time, Boyle made one of the few films in the early DV era to use that ugliness to its advantage (see also: "Dancer in the Dark"), capturing a post-apocalyptic London in all of its terrible glory. The film does feel a bit like an over-caffeinated mix of "Dawn of the Dead" and "Day of the Dead" (particularly in a finale that doesn't totally work), but its unlikely mixture of primal fury and pleas for a humane society – even in a demolished, zombie-ridden world – makes for a thrilling and strangely moving film all the same.
3. "Shallow Grave" (1994)
It's strange to think that a director as fundamentally optimistic as Danny Boyle might begin his film career with one as nasty as "Shallow Grave" and stranger still that it remains one of his best films. Ewan McGregor, Christopher Eccleston and Kerry Fox are all wonderfully venomous as a trio of misanthropes who seem to have befriended each other out of dislike of everyone else more than anything else. When a new roommate dies and leaves behind a briefcase full of money, they agree to dispose of the body, but their distrust of each other (and Eccleston's slide towards madness) proves their undoing. Though the film is clearly influenced by "Blood Simple," Boyle's visual flair and John Hodge's pitch-black wit keep it from feeling too familiar. The film's final touch, in which the second-chance that Boyle so frequently uses is given to the film's least likable character, is a doozy.
2. "Sunshine" (2007)
"Sunshine" is arguably Boyle's most ambitious effort, a deliberately paced, atmospheric sci-fi film about the hard choices that have to be made in order to save the world. The film's characters are types, but to a purpose: these characters are supposed to be insignificant in the grand scheme of things, all accepting of their impossible mission and need to be sacrificed to give the world a second chance. Even with this in mind, they're never less than human, most of the issues coming from human error and imperfection. Boyle's visual scheme is stunning as well, emphasizing not just the enormity of the dying sun our heroes are trying to save, but the potential deadliness of the object that's so essential to life. The film goes haywire in its finale, where a natural threat gives way to a physical one, and yet for all of its ridiculousness it's still fascinating for its swing into questions of whether or not humanity deserves a second chance.
1. "Trainspotting" (1996)
For all of his missteps, even within his best films, Danny Boyle still has goodwill leftover to burn. "Trainspotting" is the one where all of Boyle's instincts work. His stylistic abandon is perfectly in tune with the reckless energy of his characters. He captures the appeal of heroin without underselling the miserable lows and he keeps the humor lively enough to prevent things from becoming too miserable. His fantastical sequences – Ewan McGregor climbing into a toilet for lost suppositories, sinking into the ground on an overdose set to "Perfect Day," a nightmarish sequence that brings all of his guilt into one claustrophobic room – serve the story rather than turning into the needless distractions they'd be in "A Life Less Ordinary." A great punk and British rock soundtrack help, as do game supporting performances from a psychotic Robert Carlyle, an amoral Johnny Lee Miller, a lovably pathetic Ewen Bremner and a precociously confident Kelly McDonald. But the film's ultimately positive view of a struggling addict works because John Hodge and Danny Boyle make it feel so hard-won and because for all of McGregor's misdeeds, he remains the most charming and likable addict in the world, someone we want to see get clean. Boyle, Hodge and McGregor are planning to reunite to adapt Irvine Welsh's sequel, "Porno." Even if it can't recapture the magic of the original, it won't be able to cancel out its power either.
Indiewire has partnered with Time Warner Cable Movies On Demand to kick off Indie Film Month. Enjoy exceptionally creative and uniquely entertaining new Indie releases ("Under the Skin," "The Congress," "The Trip to Italy," and more) along with classic, Throwback Thursday indie titles ("Swingers," "Black Swan," and more) - all month long on Time Warner Cable Movies On Demand. Go HERE daily for movie reviews, interviews, and exclusive footage of the suggested TWC movie of the day and catch the best Indie titles on TWC Movies On Demand.
http://www.indiewire.com/article/the-films-of-danny-boyle-ranked-worst-to-best-20140814
At first glance, the eternally kinetic Boyle seems like an ill fit for a film about a guy trapped under a rock for 5 days and change. And sometimes Boyle's style is a bit much, particularly whenever he whips the film out of the canyon and into flashbacks in order to bring us a predictable moral of how everybody needs somebody. But his choices are just as often inspired, like when he cuts rapidly from one angle to another in the canyon to simulate Aron Ralston's frantic state of mind, the use of Bill Withers's "Lovely Day" in a montage of people drinking energy drinks and sodas just as he's running low on water, or his unflinching depiction of Ralston's self-amputation. James Franco's performance is among the actor's best, particularly in a mock-interview scene that oscillates between goofy self-mocking and sincere regret. It's not a rich film, but it's often a gripping one.
4. "28 Days Later" (2002)
"28 Days Later" is Boyle's first feature shot on digital and it came at a period where the format seemed incapable of not looking ugly. Working with Anthony Dod Mantle for the first time, Boyle made one of the few films in the early DV era to use that ugliness to its advantage (see also: "Dancer in the Dark"), capturing a post-apocalyptic London in all of its terrible glory. The film does feel a bit like an over-caffeinated mix of "Dawn of the Dead" and "Day of the Dead" (particularly in a finale that doesn't totally work), but its unlikely mixture of primal fury and pleas for a humane society – even in a demolished, zombie-ridden world – makes for a thrilling and strangely moving film all the same.
3. "Shallow Grave" (1994)
It's strange to think that a director as fundamentally optimistic as Danny Boyle might begin his film career with one as nasty as "Shallow Grave" and stranger still that it remains one of his best films. Ewan McGregor, Christopher Eccleston and Kerry Fox are all wonderfully venomous as a trio of misanthropes who seem to have befriended each other out of dislike of everyone else more than anything else. When a new roommate dies and leaves behind a briefcase full of money, they agree to dispose of the body, but their distrust of each other (and Eccleston's slide towards madness) proves their undoing. Though the film is clearly influenced by "Blood Simple," Boyle's visual flair and John Hodge's pitch-black wit keep it from feeling too familiar. The film's final touch, in which the second-chance that Boyle so frequently uses is given to the film's least likable character, is a doozy.
2. "Sunshine" (2007)
"Sunshine" is arguably Boyle's most ambitious effort, a deliberately paced, atmospheric sci-fi film about the hard choices that have to be made in order to save the world. The film's characters are types, but to a purpose: these characters are supposed to be insignificant in the grand scheme of things, all accepting of their impossible mission and need to be sacrificed to give the world a second chance. Even with this in mind, they're never less than human, most of the issues coming from human error and imperfection. Boyle's visual scheme is stunning as well, emphasizing not just the enormity of the dying sun our heroes are trying to save, but the potential deadliness of the object that's so essential to life. The film goes haywire in its finale, where a natural threat gives way to a physical one, and yet for all of its ridiculousness it's still fascinating for its swing into questions of whether or not humanity deserves a second chance.
1. "Trainspotting" (1996)
For all of his missteps, even within his best films, Danny Boyle still has goodwill leftover to burn. "Trainspotting" is the one where all of Boyle's instincts work. His stylistic abandon is perfectly in tune with the reckless energy of his characters. He captures the appeal of heroin without underselling the miserable lows and he keeps the humor lively enough to prevent things from becoming too miserable. His fantastical sequences – Ewan McGregor climbing into a toilet for lost suppositories, sinking into the ground on an overdose set to "Perfect Day," a nightmarish sequence that brings all of his guilt into one claustrophobic room – serve the story rather than turning into the needless distractions they'd be in "A Life Less Ordinary." A great punk and British rock soundtrack help, as do game supporting performances from a psychotic Robert Carlyle, an amoral Johnny Lee Miller, a lovably pathetic Ewen Bremner and a precociously confident Kelly McDonald. But the film's ultimately positive view of a struggling addict works because John Hodge and Danny Boyle make it feel so hard-won and because for all of McGregor's misdeeds, he remains the most charming and likable addict in the world, someone we want to see get clean. Boyle, Hodge and McGregor are planning to reunite to adapt Irvine Welsh's sequel, "Porno." Even if it can't recapture the magic of the original, it won't be able to cancel out its power either.
Indiewire has partnered with Time Warner Cable Movies On Demand to kick off Indie Film Month. Enjoy exceptionally creative and uniquely entertaining new Indie releases ("Under the Skin," "The Congress," "The Trip to Italy," and more) along with classic, Throwback Thursday indie titles ("Swingers," "Black Swan," and more) - all month long on Time Warner Cable Movies On Demand. Go HERE daily for movie reviews, interviews, and exclusive footage of the suggested TWC movie of the day and catch the best Indie titles on TWC Movies On Demand.
http://www.indiewire.com/article/the-films-of-danny-boyle-ranked-worst-to-best-20140814
