Noisey Detroit

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Bcotton5;9035080 said:
What happened to tone tone? That nigga fell off hard, last i heard he was on that knock off future shit.

Smh that nigga first album when B.G. signed him (when BG was living in Detroit) was dope as fuck! And his early shit wit jazze pha

Aint al nuke like zaytoven right hand man or some shit?

One of my favorite B.G. verses was on a song he did with k deezy when he lived in the d
 
Ghost313;9037077 said:
MallyG;9036990 said:
Bcotton5;9035080 said:
What happened to tone tone? That nigga fell off hard, last i heard he was on that knock off future shit.

Smh that nigga first album when B.G. signed him (when BG was living in Detroit) was dope as fuck! And his early shit wit jazze pha

Aint al nuke like zaytoven right hand man or some shit?

When u say Tone Tone are you speakin' of SayItAintTone??

Nah, 2 different niggas. Tone Tone been around for a while, Say from Big Sean camp

Oh ok, I thought so, but wasn't sure!
 
Trillaaaaaa;9030943 said:
P. Town;9025521 said:
Have to watch this. I found out about Detroit's hood underground music scene. That is completely different from what the average outsider hears from Detroit. They sound is like some old Cash Money shit.

Yeah I've said this several times, the new Detroit generation all sound like some Hot Boys....and I love it

Why?
 
Too many Detroit rappers sound the same to me,but some stick out with talent more than others.

To me the underground captures the city's musical history more while the street niggas capture the street life but they lack originality and the lyrical ability to be relatable outside the city

I like DBs Idk where the buzz went.Son sighned to Nas is fire and there's a few others who are dope

For some reason the underground goes natl before the commercial type music
 
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I hate niggas who show themselves with drugs and guns on cam.You think cops can't find the general?I'm hoping that's a unknown alias and he goes by something else
 
loch121;9222412 said:
Too many Detroit rappers sound the same to me,but some stick out with talent more than others.

To me the underground captures the city's musical history more while the street niggas capture the street life but they lack originality and the lyrical ability to be relatable outside the city

I like DBs Idk where the buzz went.Son sighned to Nas is fire and there's a few others who are dope

For some reason the underground goes natl before the commercial type music

gum989;9037250 said:
Nobody I know of, here in Michigan, listens to any of this shit. Just the honest truth.

Tbh it seems like most of the Detroit underground are more famous outside of Michigan than they are here lol

Guys like royce,slum village etc never was popping like that in the city

Big Sean might be the first one that everyone fuck wit
 
loch121;9222412 said:
Too many Detroit rappers sound the same to me,but some stick out with talent more than others.

To me the underground captures the city's musical history more while the street niggas capture the street life but they lack originality and the lyrical ability to be relatable outside the city

I like DBs Idk where the buzz went.Son sighned to Nas is fire and there's a few others who are dope

For some reason the underground goes natl before the commercial type music

A lot of the artists sound the same because of lack of above average production. When Helluva prod. for DBCO, they got a hit. Other than that they kinda recycle the same template.

And in this day and age, lyrical ability is extremely undervalued. Most people pay attention to production, flow, a voice and hook. It's a good number that a pretty original. And when they stay in their own personal sound are dope as hell.



 
Bcotton5;9223557 said:
loch121;9222412 said:
Too many Detroit rappers sound the same to me,but some stick out with talent more than others.

To me the underground captures the city's musical history more while the street niggas capture the street life but they lack originality and the lyrical ability to be relatable outside the city

I like DBs Idk where the buzz went.Son sighned to Nas is fire and there's a few others who are dope

For some reason the underground goes natl before the commercial type music

gum989;9037250 said:
Nobody I know of, here in Michigan, listens to any of this shit. Just the honest truth.

Tbh it seems like most of the Detroit underground are more famous outside of Michigan than they are here lol

Guys like royce,slum village etc never was popping like that in the city

Big Sean might be the first one that everyone fuck wit

A lot of it is hate.The D is like the haters ball on Chappelle show.funny enough it seems like the real mcs get the major deals while the wannabe commercial guys stay indie and get street love.

Sean gets love because he's right in the middle.He's not super underground or a simple street rapper.Plus he got Kanye.Sean is a good marketable artist.

They may not get street love,but niggas know Royce and Slum and ppl like Guilty or on a whole other level lyrically and industry wise.

Royce doesn't make radio music anyway but it's a shame he gets play on the east and west,but not at home.If nothing else Slaughterhouse gets mixshow love in other regions.

 
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jvlioo;9223741 said:
loch121;9222412 said:
Too many Detroit rappers sound the same to me,but some stick out with talent more than others.

To me the underground captures the city's musical history more while the street niggas capture the street life but they lack originality and the lyrical ability to be relatable outside the city

I like DBs Idk where the buzz went.Son sighned to Nas is fire and there's a few others who are dope

For some reason the underground goes natl before the commercial type music

A lot of the artists sound the same because of lack of above average production. When Helluva prod. for DBCO, they got a hit. Other than that they kinda recycle the same template.

And in this day and age, lyrical ability is extremely undervalued. Most people pay attention to production, flow, a voice and hook. It's a good number that a pretty original. And when they stay in their own personal sound are dope as hell.





That low budget heavy 80's kasio slighly almost west coast sound is what Detroit likes locally.It boggles my brain because on the flip side you get real spitters from the D who are more along the lines of a Jada or Beanie and even a Talib or Monch.Kinda wack they left out that whole side besides Danny Brown and his ppl.In the Chicago Noisey they evened it out with a long Vic Mensa part.

I'm not hating because I love to hear the authentic Detroit street sound,but I feel that there's too much talent there to not be a major force,other than Eminem.Detroit needs an artist like Rick Ross(not the C.O. part) but a guy with the lyrical ability and nuanced saficticated production that would be radio/street friendly on a Natl level.

What happened?

Same thing that happened with Gibbs and all of Jeezy's artists.....Nothing

 
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Peezy_Jenkins;9224010 said:
Bcotton5;9223551 said:
DB ain't with CTE no more

What happened?

@Peezy_Jenkins

They (DBC) claims it was more on Atlantic's side than CTE's. Doughboy'z have had their share of street run-in's from shootings (mainly Big Quis) and fights. Atlantic shy'd away from putting money behind them from fear of losing their investment(s).

I think their better off Independent IMO. If you haven't heard Payroll's "Big Bossin" Mixtape w/ production from Cardo (of Wiz fame) u should check it out, b/c it's dope! Str8 hustle music.
 
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