its....JOHN B
New member
Lovebabois;8873063 said:
Didn't mean to upset your dickriding ass, it just is what it is
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If you're not a dick rider, post a song where a rapper you like got destroyed on a track.
Didn't mean to upset your dickriding ass, it just is what it is
The Lonious Monk
New member
leftcoastkev;8874960 said:Outkast is in my top 5 favorite groups but the guests (Wayne and Snoop) bodied this in my opinion.
You be the judge....
I think they all came about the same on this one. The Wayne verse stood out because it was one of his better ones.
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Black_Samson;8878268 said:MallyG;8873488 said:Black_Samson;8869977 said:Cool Breeze got bodied on Watch For The Hook.
somebody lemme hold a number 2 pencil cause they testin me
lol
I've said this numerous times..... How do you introduce yourself as a solo artist, but your first single and video, but you have OutKast and most of Goodie rappin' verses before u and ur dead ass last?!?! And then your "verse" ain't really a verse, it's more of a bridge/hook. The shit is mind bogglin' b!
That song was better suited for the DF album.
This should have been his 1st single....
truth be told, i think a thread should be made about the man...
way to kill all your buzz... instantly.
Rico Wade: "Cool Breeze was supposed to be our first artist. For whatever reason, we didn't pull the trigger. I was trying so hard not to be Puffy, holding niggas' hands. Like Witchdoctor with 'Holiday'—he brought me that single. He wasn't just taking. Some niggas were actually giving back."
Ray Murray: (Producer, Organized Noize): "The first deal that we did with [Interscope] was sign Cool Breeze. Cool Breeze, it just so happened, is the kind of an artist—and all the artists have the issue sometimes—but the worst of them who have the writer blocks are Cool Breeze and Mr. Benjamin. We were hard on Dre and Big Boi, but we were harder on them than we were anybody else simply because they were the first ones."
Rico: "We already had 'Watch For The Hook,' but this was the song where I had to tell Cool Breeze, 'You got to write some better words.' On this song, I made him sit there and go in. I told him, 'You're gonna have to get into some street, this is what they want from you.' And he responded. I've always wanted him to just do what he wanted, but that's when I was like, 'We can't fuck this one up.' The beat was spaced out. And I challenged him. People want pressure
^^ I bought that album off the strength of Watch for the Hook... and I wasn't disappointed for the most part... I like Cool Breeze's flow and there were a few joints on there...
My only complaint, and it boggles my mind to this day is that it was edited... COOL BREEZE DID NOT CUSS THROUGHOUT THAT ENTIRE ALBUM... there were some edits on Watch for the Hook and that Kurupt track was damn near unlistenable because of how much he swore on there, but beside a nigga here and there, Mr. Dirty South kept it clean...
My only complaint, and it boggles my mind to this day is that it was edited... COOL BREEZE DID NOT CUSS THROUGHOUT THAT ENTIRE ALBUM... there were some edits on Watch for the Hook and that Kurupt track was damn near unlistenable because of how much he swore on there, but beside a nigga here and there, Mr. Dirty South kept it clean...
The Lonious Monk
New member
BenjaminE;8879418 said:^^ I bought that album off the strength of Watch for the Hook... and I wasn't disappointed for the most part... I like Cool Breeze's flow and there were a few joints on there...
My only complaint, and it boggles my mind to this day is that it was edited... COOL BREEZE DID NOT CUSS THROUGHOUT THAT ENTIRE ALBUM... there were some edits on Watch for the Hook and that Kurupt track was damn near unlistenable because of how much he swore on there, but beside a nigga here and there, Mr. Dirty South kept it clean...
I don't really mind the fact that he kept it clean because it was organic. It wasn't like he was censoring himself. He just didn't cuss. But like you said, putting Kurupt on a clean album is a bad idea. That song sounded crazy.
I like Cool Breeze. It's too bad he had those problems. I've always thought he was TI before TI. I'm not saying TI copied him, but he had that same swag that TI rode to fame.
The Lonious Monk;8879694 said:BenjaminE;8879418 said:^^ I bought that album off the strength of Watch for the Hook... and I wasn't disappointed for the most part... I like Cool Breeze's flow and there were a few joints on there...
My only complaint, and it boggles my mind to this day is that it was edited... COOL BREEZE DID NOT CUSS THROUGHOUT THAT ENTIRE ALBUM... there were some edits on Watch for the Hook and that Kurupt track was damn near unlistenable because of how much he swore on there, but beside a nigga here and there, Mr. Dirty South kept it clean...
I don't really mind the fact that he kept it clean because it was organic. It wasn't like he was censoring himself. He just didn't cuss. But like you said, putting Kurupt on a clean album is a bad idea. That song sounded crazy.
I like Cool Breeze. It's too bad he had those problems. I've always thought he was TI before TI. I'm not saying TI copied him, but he had that same swag that TI rode to fame.
Yeah bro, I actually applaud the fact he was able to do that while spittin game throughout that album... I really liked that Kurupt track though, and not only did they edit it, they did that reversal shit over and over and over lmao...
Side note: I never figured out who that other voice on Cre-a-tine was... or if it was Cool Breeze sped up or some shit... that track was something serious...
