waterproof
New member
THE SOURCE GAVE
to
Ultramagnetic MC's Critical Beatdown (1988)
THE SOURCE - Kool Keith became the lyrically perverted Dr. Octagon, he was the left-field rap pugilist who pulled no punches. He used the wop-inducing “Ego Trip,” which successfully jacked the classic “Substitution” breakbeat drum patterns (bah-boom b-b-b-bap, boom-b-b-b-bap) to blast Run-DMC’s “Peter Piper” (“Say what, Peter Piper?/Hell with childish rhymes”).
Ced G, Ultra’s production arm, who also laid the musical foundation for KRS’s Criminal Minded, took hip-hop tracks to nerdy heights, pairing obscure samples and doeses of technical know-how with Keith’s lyrical oddballing. Critical Beatdown’s underground aesthetic, which included sampling Star Wars on “Ease Back,” predated the backpack-and-notebook scene that emerged much later.
With Beatdown, Ultra stood on rap’s periphery throwing stones at its central figures, thumbing their noses at the parade of MCs who passed them by to claim prominent places in hip-hop history. And so, one of hip-hop’s most original albums received critical acclaim but has been beat down by the passage of time.


Ultramagnetic MC's Critical Beatdown (1988)
THE SOURCE - Kool Keith became the lyrically perverted Dr. Octagon, he was the left-field rap pugilist who pulled no punches. He used the wop-inducing “Ego Trip,” which successfully jacked the classic “Substitution” breakbeat drum patterns (bah-boom b-b-b-bap, boom-b-b-b-bap) to blast Run-DMC’s “Peter Piper” (“Say what, Peter Piper?/Hell with childish rhymes”).
Ced G, Ultra’s production arm, who also laid the musical foundation for KRS’s Criminal Minded, took hip-hop tracks to nerdy heights, pairing obscure samples and doeses of technical know-how with Keith’s lyrical oddballing. Critical Beatdown’s underground aesthetic, which included sampling Star Wars on “Ease Back,” predated the backpack-and-notebook scene that emerged much later.
With Beatdown, Ultra stood on rap’s periphery throwing stones at its central figures, thumbing their noses at the parade of MCs who passed them by to claim prominent places in hip-hop history. And so, one of hip-hop’s most original albums received critical acclaim but has been beat down by the passage of time.