Artist who stuck out like a sore thumb on record labels!

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I just don't see how he fit other than him being from N.O. I bought that album when it came out. The few joints Curren$y was on set a different type of mood when he spit. P and them was all rowdy rowdy and then Spitta was laid back as shit
 
I just don't see it

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http://www.youtube.com/watch?v=4lps5WuVjvw

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http://www.youtube.com/watch?v=zHddH0jDSjs
 
tharealest561;4666197 said:
Snoop on NL dropped two of his best post-Doggystyle albums though but I feel what you're saying.

That's the thing that people forget. I was never a No Limit fan nor did i really like Snoop going to that label but niggas are quick to forget that Snoop made No Limit Top Dogg & Tha Last Meal on that label, 2 of his best albums out of his discography. I agree with t/s that Snoop really didn't fit in over there but still Snoop actually made a "comeback" while on that label. 1999-2000 was considered Snoop's comeback years cuz in those years he had No Limit Top Dogg, those big records on The Chronic 2001, that Eastsidaz album (not on No Limit but still) and Tha Last Meal but since niggas didn't feel Da Game Is To Be Sold.. too much they quick to write his stint off.

 
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soul rattler;4666240 said:
Ymcmb is one big sore thumb and damn near all of them clash so that's a moot point.

Though he became the frontman for the label, Pac stuck out at Deathrow. Take him out of the equation and the Row loses alot of notoriety, mystique, and substance. Basically it would be a bunch of gang bangin and pimpin ass niggas.

The way pac acted this makes no sense to me am i the only one?
 
Asher Roth on Def Jam? nah that's not sticking out like a sore thumb. you forget white rappers were on def jam from the start, beastie boys.
 

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